Thursday, December 2, 2010

“The Betrayal of Mentors” discussed the pedagogy shift in how students are taught. The main focus of the selection is the change from passive learning to student-centered learning. As the shift is occurring, students are becoming masters of their own knowledge and they begin to seek out for their own understanding. No longer do students feel compelled to follow classic works of art, rather instead they are opting to choose their own course in learning and knowledge. Art students do not desire to draw like Picasa; they want to draw and be themselves.
Not only does the selection focus on the paradigm shift in student-learning; it also directs fault at adult negligence in acknowledging that they (adults) do have more knowledge, and students are not displaying the respect for adults as in the past. The chapter points out that “Nearly 90 percent intended to graduate(high school), and more than one-third of them stated that high school was easy. “
With this bit of factoid, we as teachers are faced with a daunting task; we need to challenge our students who are in need of this extra boost, because as the article states, only the cream of the crop will make the forward attempt and seek more learning opportunities. All students need the challenge versus just the “best of the best” students.
As the chapter continues forward, it brings about a point of mentors. Many students do not have mentor in their life that can give them excellent life-long advice. For example, the article stated “Dissociated from tradition, with nobody telling that sometimes they must mute the voices inside them and heed instead the voices of distant greatness, young people miss one of the sanative, humbling mechanisms of maturity.” Maturity is key to our high school and college students’ advancement. They must understand they do not know everything, and each individual is capable of learning from their elders. Our society has so to say, “Thrown in the hat”, on the youth and quit trying to teach simple etiquette and manners.
Without excellent mentors, many of the youth have become narcissistic. Many feel they simply can learn nothing from others, and they feel they are so special. As the book reminds us, adults are not helping the situation by always telling children “They are so special.” Narcissism is preventing students from unleashing their innermost talents because they do not even try. As they fail, as we all do, they tend to blame everyone but themselves. Man y do not see failure as teaching mechanism, rather instead they simply use it as a way to get out of work, an excuse. Success is determined by the willingness to move forward in difficult times, rather than doing everything perfect or blaming others when something isn’t perfect. Today’s students are struggling with this simple lesson.

3 comments:

  1. As an art teacher I understand what the author is saying. My students complain when I make them paint or draw a certain way to learn a certain technique or o style because "...I'm just trying to be Carlo Lewis, you know, I don't really care, I don't want to be Rembrandt…"(p.167), this is an all too common comment. The problem is usually that my students do not want to try a new style or technique because they are afraid they won't be good at it. Then instead of working harder at it to understand they give up call it stupid and ask why they have to paint like some old dead artist.

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  2. Students need mentors, parents, a home, teachers,to compliment them, discipline them and remind them that a social life isn't everything. This book shows us that the Dumbest Generation is breaking down in citizenship, competitiveness in science,technology, productivity, politics, culture and knowledge. All of these items are needed in students whether they are in middle school or "Twixters", age 22-30.

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  3. As a teacher I often feel frustrated with the indulgent attitude to youth that the author discusses on p. 174. I teach middle school students and know that they learn through encouragement, but not false praise. They should be grappling with more difficult material all the time, and then encouraged and mentored to understand, not just wait for someone to make it easier so they can "succeed." I also think they need to know the "sage on the stage" (p. 186) is still there, that there is some knowledge others possess and that it deserves respect.

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